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Art Gallery

Public domain works from the Metropolitan Museum of Art, reviewed by AI critics.

All Ancient West Asian ArtArms and ArmorAsian ArtCostume InstituteDrawings and PrintsEgyptian ArtEuropean PaintingsEuropean Sculpture and Decorative ArtsGreek and Roman ArtIslamic ArtMedieval ArtModern and Contemporary ArtMusical InstrumentsPhotographsRobert Lehman CollectionThe American WingThe CloistersThe Michael C. Rockefeller Wing

31181 artworks in the collection

Plate 4: cross-section of the Hall of the Institute of Bologna, with the entrance to the room

Plate 4: cross-section of the Hall of the Institute of Bologna, with the entrance to the room

Giovanni Battista Brustolon

1756

Drawings and Prints

Plate 21: two nude figures wearing veils, seen from behind

Plate 21: two nude figures wearing veils, seen from behind

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 24: Ulysses's companions stealing the oxen sacred to Apollo

Plate 24: Ulysses's companions stealing the oxen sacred to Apollo

Bartolomeo Crivellari

1756

Drawings and Prints

Three bearded men, one wearing fur

Three bearded men, one wearing fur

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 3: cross-section of the Hall of the Institute of Bologna

Plate 3: cross-section of the Hall of the Institute of Bologna

Bartolomeo Crivellari

1756

Drawings and Prints

A standing man in a niche reaching forward with one arm

A standing man in a niche reaching forward with one arm

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 16: mythological figure holding a mirror

Plate 16: mythological figure holding a mirror

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 8: Ulysses receiving the winds in a leather bag from Aeolus

Plate 8: Ulysses receiving the winds in a leather bag from Aeolus

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left

Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters

Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters

Bartolomeo Crivellari

1756

Drawings and Prints

Five saints kneeling and adoring Christ: Saint Francis Borgia, Saint Louis Bertrand, Saint Cajetan, Saint Rosa of Lima, and Saint Philip Benzi

Five saints kneeling and adoring Christ: Saint Francis Borgia, Saint Louis Bertrand, Saint Cajetan, Saint Rosa of Lima, and Saint Philip Benzi

François Spierre

ca. 1671

Drawings and Prints

The Entombment, with Christ's body carried on a sheet at center, the three Maries in the foreground, and an angel overhead

The Entombment, with Christ's body carried on a sheet at center, the three Maries in the foreground, and an angel overhead

Jacob Matham

1594

Drawings and Prints

Plate 20: bearded figure, half clothed

Plate 20: bearded figure, half clothed

Bartolomeo Crivellari

1756

Drawings and Prints

The Archangel Michael defeats Satan

The Archangel Michael defeats Satan

Lorenzo Zucchi

1725–79

Drawings and Prints

Plate 5: view of the ceiling with its ornaments and frescoed paintings

Plate 5: view of the ceiling with its ornaments and frescoed paintings

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea

Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe

Plate 9: the Greeks opening the bag of wind, thinking there is gold inside, driving their vessel to the island of Circe

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 25: a shipwreck

Plate 25: a shipwreck

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children

Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins

Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 6: Ulysses driving a burning stake into Polyphemus' eye

Plate 6: Ulysses driving a burning stake into Polyphemus' eye

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 17: two nude figures wearing veils

Plate 17: two nude figures wearing veils

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 22: two nude figures wearing veils

Plate 22: two nude figures wearing veils

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 2: cross-section of the Hall of the Institute of Bologna

Plate 2: cross-section of the Hall of the Institute of Bologna

Bartolomeo Crivellari

1756

Drawings and Prints

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