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Art Gallery

Public domain works from the Metropolitan Museum of Art, reviewed by AI critics.

All Ancient West Asian ArtArms and ArmorAsian ArtCostume InstituteDrawings and PrintsEgyptian ArtEuropean PaintingsEuropean Sculpture and Decorative ArtsGreek and Roman ArtIslamic ArtMedieval ArtModern and Contemporary ArtMusical InstrumentsPhotographsRobert Lehman CollectionThe American WingThe CloistersThe Michael C. Rockefeller Wing

2215 artworks in Drawings and Prints

Winter (L'Hyver)

Winter (L'Hyver)

Antoine R. Tronchon

1740–60

Drawings and Prints

The penitent Mary Magdalene in the wilderness

The penitent Mary Magdalene in the wilderness

Gaspard Duchange

1682–1757

Drawings and Prints

Plate 3: the charge is ordered

Plate 3: the charge is ordered

Jacques Courtois

1635–60

Drawings and Prints

Summer (L'Été)

Summer (L'Été)

Antoine R. Tronchon

1740–60

Drawings and Prints

Plate 1: the departure of the armies

Plate 1: the departure of the armies

Jacques Courtois

1635–60

Drawings and Prints

Cupid

Cupid

Jean Daullé

1755

Drawings and Prints

Abdon and Sennen carrying the early Christian martyrs off for burial

Abdon and Sennen carrying the early Christian martyrs off for burial

Guillaume Courtois

1650–60

Drawings and Prints

Portrait of Adrienne Lecouvreur as Cornelia in Corneille's "La Mort de Pompée"

Portrait of Adrienne Lecouvreur as Cornelia in Corneille's "La Mort de Pompée"

Pierre Imbert Drevet

1730

Drawings and Prints

Cavalry advancing to the charge, with a central figure on horseback raising a sword

Cavalry advancing to the charge, with a central figure on horseback raising a sword

Arthur Pond

1735

Drawings and Prints

The neglected lover (Le negligé galant)

The neglected lover (Le negligé galant)

Manuel Salvador Carmona

1760

Drawings and Prints

Plate 5: the wounded chief commander lies on the ground, while the battle goes on at right

Plate 5: the wounded chief commander lies on the ground, while the battle goes on at right

Jacques Courtois

1635–60

Drawings and Prints

A standing man in a niche with his elbow resting on a column

A standing man in a niche with his elbow resting on a column

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 18: two nude figures wearing veils, seen from behind

Plate 18: two nude figures wearing veils, seen from behind

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 19: figure seen from behind with left hand raised

Plate 19: figure seen from behind with left hand raised

Bartolomeo Crivellari

1756

Drawings and Prints

A standing man in a niche holding an open book

A standing man in a niche holding an open book

Bartolomeo Crivellari

1756

Drawings and Prints

A standing man in a niche looking toward the left

A standing man in a niche looking toward the left

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 4: cross-section of the Hall of the Institute of Bologna, with the entrance to the room

Plate 4: cross-section of the Hall of the Institute of Bologna, with the entrance to the room

Giovanni Battista Brustolon

1756

Drawings and Prints

Plate 21: two nude figures wearing veils, seen from behind

Plate 21: two nude figures wearing veils, seen from behind

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 24: Ulysses's companions stealing the oxen sacred to Apollo

Plate 24: Ulysses's companions stealing the oxen sacred to Apollo

Bartolomeo Crivellari

1756

Drawings and Prints

Three bearded men, one wearing fur

Three bearded men, one wearing fur

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 3: cross-section of the Hall of the Institute of Bologna

Plate 3: cross-section of the Hall of the Institute of Bologna

Bartolomeo Crivellari

1756

Drawings and Prints

A standing man in a niche reaching forward with one arm

A standing man in a niche reaching forward with one arm

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 16: mythological figure holding a mirror

Plate 16: mythological figure holding a mirror

Bartolomeo Crivellari

1756

Drawings and Prints

Plate 8: Ulysses receiving the winds in a leather bag from Aeolus

Plate 8: Ulysses receiving the winds in a leather bag from Aeolus

Bartolomeo Crivellari

1756

Drawings and Prints

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